{"id":29984,"date":"2021-11-04T14:36:44","date_gmt":"2021-11-04T13:36:44","guid":{"rendered":"https:\/\/zff.hr\/?p=29984"},"modified":"2021-11-08T12:06:29","modified_gmt":"2021-11-08T11:06:29","slug":"zffs-rich-program-presented-nineteenth-edition-to-the-film-lovers-taste","status":"publish","type":"post","link":"https:\/\/zff.hr\/en\/zffs-rich-program-presented-nineteenth-edition-to-the-film-lovers-taste\/","title":{"rendered":"ZFF\u2019s Rich Program Presented: Nineteenth edition to the film lovers\u2019 taste"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":29975,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-29984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"aioseo_notices":[],"acf_fields":{"page_builder":false,"content":"
The program of the 19th Zagreb Film Festival<\/strong> was presented. Taking place from November 14 to 21 in SC Cinema, Tu\u0161kanac Cinema, Theatre &TD, Urania <\/strong>and HUB 385<\/strong>, as well as online platforms kinoeuropa.hr<\/strong><\/a> i croatian.film<\/strong><\/a>, featuring as much as 134 film titles <\/strong>divided into five competition programs <\/strong>(Main program of feature, international short film and Croatian short film; Together Again and The Network of Festivals in the Adriatic Region), four side programs <\/strong>(The Great 5, Icebreakers, PLUS, and LUX), KinoKino <\/strong>festival for children and Industry<\/strong>, a program aimed at educating and connecting film professionals. The program was presented at a press conference by director Boris T. Mati\u0107<\/strong>, executive director Hrvoje Laurenta<\/strong>, producer Lana Mati\u0107<\/strong> and program coordinator Selma Mehad\u017ei\u0107<\/strong>.<\/p>\n \u201cAfter last year\u2019s online edition, we\u2019re excited the forthcoming festival is bringing us back to the audiences in cinemas! A part of our program will be available in around 20 cities outside of Zagreb, as well as online in the rest of Croatia. The lack of capacity in city cinemas and the closing of Europa Cinema are the reasons behind the return to the SC Cinema, but that brings us happy memories.<\/p>\n The number and quality of films we took into consideration for this year\u2019s festival showed us how, despite the pandemic, filming hasn\u2019t stopped on a global scale and how there are two very productive filming years behind us, and the audience will have one of the strongest main programs so far with the largest number of debutants awarded at A-level festivals. Among the 12 films in the main feature film program, we will present this year\u2019s winners in Venice and Cannes and the triple winner at Sundance from female authors whose success will enter film encyclopedias. We are delighted and excited by the genre films of our debut authors, new and interesting actors, and the exploration of cultural heritage of faraway countries, but also the celebration of Croatian film – which is heralded by the national premiere of The Staffroom<\/em> by Sonja Taroki\u0107,\u201d said Boris T. Mati\u0107<\/strong>.<\/p>\n Largest number of debutants awarded at A-level festivals in the main program Three laureates from the world\u2019s leading festivals from ZFF\u2019s main competition program of feature films<\/u><\/strong> are works by female directors. This year\u2019s Venice winner, Happening<\/em><\/strong><\/a> by Audrey Diwan<\/strong>, is a powerful and tense adaptation of a semiautobiographical novel by French novelist Annie Ernaux which dissects her experience of illegal abortion in 1960\u2019s France. The Kosovar film Hive<\/em><\/strong><\/a> by Blerta Basholli<\/strong> became the first film in history to win Best Film, Best Director, and the Audience Award at Sundance\u2019s international feature program. The plot of Hive <\/em>takes place in the heart of the Kosovar patriarchy, and is based on the true story about a young widow Fahrija who, despite disapproval and overwhelming sense of hopelessness, starts her own production of ajvar, which also starts a small women\u2019s revolution. The French Titan<\/em><\/strong><\/a>, directed by Julie Ducournau,<\/strong> won the Cannes Palme d\u2019Or, thus making Ducournau only the second woman in history who won this prestigious award. After the cannibalistic debut Raw<\/em>, the author\u2019s second film, a mischievously twisted fantasy immersed in neon, sex and violence, once again explores the limits of horror films, this time of Cronenberg\u2019s bodily horror.<\/p>\n Two competing films with fantastical elements are also award winners from A-level festivals. The creepy Icelandic folklore fairy tale Lamb<\/em><\/strong><\/a>, directed by Valdimar J\u00f3hannsson<\/strong>, takes place at an isolated sheep farm and follows a childless couple (Noomi Rapace and Hilmir Sn\u00e6r Gu\u00f0nason) who adopt an unusual hybrid newborn. The film won the Prize of Originality at the Un Certain Regard program in Cannes and was nominated for the EFA\u2019s European Discovery Award. The Egyptian film Feathers<\/em><\/strong><\/a> starts with an unsuccessful magician\u2019s trick which turns a pater familias<\/em> of one family into a white chicken. The director for this black humor absurd story about the subversion of the Egyptian patriarchy, which won the Grand Prix and the FIPRESCI Award at Critics\u2019 Week in Cannes, is Omar El Zohairy<\/strong>.<\/p>\n Five out of the 12 films from the competition program of feature films were selected as representatives of their home countries for the Oscar race as best foreign language film. Alongside the already mentioned Titan <\/em>(France), Lamb <\/em>(Iceland) and Hive <\/em>(Kosovo), there are two more films from ZFF\u2019s program in the running for the golden statue, films whose protagonists find love and understanding in completely unexpected places. Compartment No. 6<\/em><\/strong><\/a>, the second film by Finnish director Juho Kuosmanen <\/strong>(The Happiest Day in the Life of Olli Maki<\/em> \u2014 ZFF 2016), follows the unusual encounter of a young Finnish archaeologist and a tipsy Russian miner. This melancholic and moving road movie, which is compared with Linklater\u2019s classic Before Sunrise<\/em>, won the Cannes Grand Prix. The prison drama from postwar Germany, Great Freedom<\/em> <\/strong><\/a>by Sebastian Meise<\/strong>, winner of this year\u2019s Jury Award in Cannes\u2019 Un Certain Regard section, is a portrait of an unusual relationship between two inmates, Hans (Franz Rogowski \u2014 Victoria, Undine, Transit<\/em>) who is imprisoned for being a homosexual and convicted murderer Viktor, which deftly intertwines the personal, sensual, and political.<\/p>\n Two award-winning films show love stories of European migrants and what they also have in common is that they produced two excellent acting talents. The provocative satire The Man Who Sold His Skin<\/em><\/strong><\/a> by Kaouther Ben Hania<\/strong> follows a young Syrian refugee who wants to meet up with his beloved wife but ends up as an exhibit in European museums. The lead role went to the fantastic Syrian actor Yahya Mahayni<\/strong> who won the Orizzonti Award in Venice, and Monica Bellucci is among the cast. As Far As I Can Walk<\/em><\/strong><\/a> by Stefan Arsenijevi\u0107<\/strong> (Love and Other Crimes<\/em>) is a modern interpretation of a Serbian love epic whose protagonist Strahinja, a Ghanaian migrant, searches for his beloved wife along the Balkan route. As Far As I Can Walk <\/em>won a number of awards in Karlovy Vary, including Best Film, and Ibrahim Koma<\/strong>, the French actor from Mali, was named Best Actor.<\/p>\n The immigrant experience and relationship with one\u2019s own cultural heritage are the backbone of the charming and touching American indie dramedy Queen of Glory<\/em> <\/strong><\/a>by Nana Mensah,<\/strong> winner of Best Director at the Tribeca festival. The film follows the protagonist Sarah (Mensah), a Ghanaian American,\u00a0 while she more or less successfully balances her incompatible life choices. For instance, between her doctoral studies and moving to Ohio with a father of two or the role of a successful molecular biologist and obedient daughter.<\/p>\n The main feature film program of the 19th ZFF also features the long-awaited Croatian premiere of The Staffroom<\/em><\/strong><\/a> by Sonja Taroki\u0107<\/strong>, which won the main jury Special Mention and Ecumenical Jury Commendation at Karlovy Vary. The feature debut by one of ZFF Checker\u2019s most popular authors (On Shaky Ground<\/em> \u2014 ZFF 2014, Golden Pram; I’m a Self-Made Woman; Red<\/em>) in an Altman-like manner analyses the dynamics and inner conflicts of a community. The premiere of The Staffroom<\/em> will mark the end of this project\u2019s development, which was presented in 2013 at ZFF\u2019s workshop My First Script. The feature selection is concluded with the film out of competition Not So Friendly Neighborhood Affair<\/em><\/strong><\/a>, a new comedy by Oscar-winning director Danis Tanovi\u0107<\/strong> with Branko \u0110uri\u0107 and Izudin Bajrovi\u0107, inspired by one of the most controversial gastronomical dilemmas: where to eat the best \u0107evapi in town?<\/p>\n Ten international and ten Croatian short films in main competition programs<\/strong><\/p>\n The main competition program of international short feature<\/u><\/strong><\/a> film includes ten titles: the Hong Kong film All the Crows in the World<\/em><\/strong> by director Tang Yi, winner of the Palme d\u2019Or for best short film in Cannes 2021, the Kosovar Displaced<\/em><\/strong> by Samir Karahoda, winner of the Special Jury Mention at Sarajevo Film Festival and EFA award candidate, the Belgian Zonder Meer<\/em><\/strong> directed by Meltse Van Coillie and produced by the directorial duo Jessica Woodworth and Peter Brosens (Khadak<\/em> \u2014 ZFF 2015; King of the Belgians<\/em> \u2014 ZFF 2016; The Barefoot Emperor <\/em>\u2014 ZFF 2019), Places<\/em><\/strong>, the new film by Vytautas Katkus, whose Community Gardens<\/em> were featured in ZFF\u2019s short film competition in 2019, Little Portugal<\/em><\/strong> by Victor Quintanilha, which won the jury special mention in Clermont-Ferrand, the Hungarian Break<\/em><\/strong> by Levente K\u00f6lcsey, the Ukrainian Dad\u2019s Sneakers<\/em><\/strong> by Olha Zhurba, the North Macedonian North Pole <\/em><\/strong>by Marija Apcevska, the French 4 AM<\/em><\/strong> by Mehdi Fikri, and the Georgian Number 26<\/em><\/strong> by Gvantsa Meparishvili.<\/p>\n Ten films were included into Checkers<\/a><\/u><\/strong>, the main competition program of Croatian short film<\/strong><\/u>: Bulky Waste<\/em><\/strong> by Andrija Tomi\u0107, Rockets<\/em><\/strong> by Sa\u0161a Po\u0161ti\u0107 and Pavle Kocanjer, Alone<\/em><\/strong> by Borna Zidari\u0107 (The Tenant<\/em>, Checkers 2020), Horticulture<\/em><\/strong> by Silva \u0106apin, Incendiary<\/em><\/strong> by David Ga\u0161o (Laci\u2019s Great Escape<\/em> 25 FPS 2021 – Green DCP Award), Fall of Our Summer <\/em><\/strong>by Karlo Vorih, Libero<\/em><\/strong> by Mladen Stani\u0107 (The White Room<\/em> – Checkers, Golden Pram 2018), Loose<\/em><\/strong> by Paula Skelin, A Moving Target<\/em><\/strong> by Marko Dugonji\u0107 (The Rainfall<\/em>, Checkers 2014 and 19 Albahari St 10000 Zagreb<\/em>, Checkers 2017), and Everything Ahead<\/em><\/strong> by Mate Ugrin (The Heart of Sarajevo for best short film).<\/p>\n New films by authors familiar to ZFF audience<\/strong><\/p>\n Selma Mehad\u017ei\u0107 <\/strong>presented the special features of the competition program Together Again<\/a><\/u><\/strong>: \u201cThe program features films of authors ZFF audience is familiar with, whose debut or early works we followed through the main competition program or through ZFF\u2019s yearly film distribution. This year they are: A Hero<\/em><\/strong>, the newest film by two-time Oscar winner Asghar Farhadi<\/strong> (The Past<\/em> \u2014 ZFF 2013; A Separation; The Salesman<\/em>), is an intriguing drama about the fate of an individual in a society which loves to idolize people, but does not believe its own stories. A Chiara<\/em><\/strong>, a tense drama about the loss of innocence and an intriguing contribution to Jonas Carpignano\u2019s<\/strong> popular trilogy (Mediterranea<\/em> \u2014 ZFF 2015; Ciambra<\/em> \u2014 ZFF 2017). Bad Luck Banging or Loony Porn<\/em><\/strong>, this year\u2019s Berlinale winner directed by famed Romanian director Radu Jude<\/strong>, The Worst Person in the World<\/strong><\/em>, the new film by Norwegian director Joachim Trier<\/strong> (Reprise, Oslo, August 31, Thelma<\/em>) with Renate Reinsve<\/strong>, winner of Best Actress in Cannes, The Box<\/em><\/strong>, a dark psychological thriller by Venezuelan master Lorenzo Vigas<\/strong> (From Afar, <\/em>ZFF 2016), Amira<\/em><\/strong>, <\/em>a drama about a teenager\u2019s search for identity in the heart of the Israeli-Palestinian conflict by the winner of the 14th ZFF, Egyptian Mohamed Diab<\/strong>, and The Restless<\/em><\/strong>, a powerful Belgian drama by Joachim Lafosse<\/strong> (Keep Going<\/em> – best film in the PLUS program, White Knights<\/em>).\u201d<\/p>\n Zagreb Film Festival awards the Golden Pram<\/strong> for Best Feature Film, Best International Short Film, and Best Croatian Short Film from the Checkers program. Jury members of the 19th Zagreb Film Festival<\/u><\/strong> are also known. The jury for ZFF\u2019s feature film competition are actress and cultural activist Katia Pascariu <\/strong>(Bad Luck Banging or Loony Porn<\/em>); director of Oasis<\/em>, last year\u2019s winner of ZFF, Ivan Iki\u0107<\/strong>, and the award-winning director of photography Vanja \u010cernjul<\/strong>. The best short film in the international competition and Checkers will be decided by last year\u2019s winner of Checkers, director Sara Grguri\u0107 <\/strong>(In the Woods<\/em>); Slovenian director Rok Bi\u010dek <\/strong>(Class Enemy<\/em> \u2014 ZFF 2014), and director and Herceg Novi Film Festival selector Ivan Bakra\u010d<\/strong>.<\/p>\n First joint regional film festival’s program<\/strong><\/p>\n Lana Mati\u0107<\/strong> presented the new competition program Network of Festivals in the Adriatic Region<\/u><\/strong><\/a> and the permanent side program The Great 5: \u201cThe first joint regional film festival Network of Festivals in the Adriatic Region united four festivals from four countries \u2014 Sarajevo Film Festival (Bosnia and Herzegovina), Auteur Film Festival (Serbia), Herceg Novi Film Festival (Montenegro), and Zagreb Film Festival (Croatia). Following the Spring edition, a successful cooperation continues this fall at ZFF with a selection of recent European films which, among others, include two films from the current selection for the European Film Award: Brother’s Keeper<\/em><\/strong> by Turkish director Ferit Karahan<\/strong> and raw drama Natural Light<\/em><\/strong> by D\u00e9nes Nagy<\/strong>. A special feature of the program<\/strong> is the classic The Fourteenth Day <\/em><\/strong>by Zdravko Velimirovi\u0107<\/strong>, one of the first Yugoslavian films shown in the main selection of Cannes. The best film will be chosen by the audience and awarded with the Adriatic Audience Award which will be presented to the winner at the Auteur Film Festival in Belgrade.\u201d<\/p>\n Numerous titles in side programs<\/strong><\/p>\n The Great 5 side program<\/u><\/strong><\/a>, ZFF\u2019s long-lasting program realized in collaboration with the network of cultural institutes of the European Union in Croatia (EUNIC), each year presents outstanding new films from Europe\u2019s five biggest cinematographers: Great Britain, France, Germany, Spain, and Italy. This year\u2019s Spanish representative is also Spain\u2019s Oscar candidate, the film The Good Boss<\/em><\/strong>, a dark corporate satire in which Javier Bardem masterfully embodies the friendly face of capitalist corruption. France is presented with the film Gagarine<\/em><\/strong>, a cheerful social drama with elements of magic realism and nostalgic homage to Cit\u00e9 Gagarine, an Utopian collective housing project. The German film in the selection, And Tomorrow the Entire World, <\/em><\/strong>is an exciting thriller about the revolted antifascist youth which was shown at Venice and Toronto. Representing Great Britain is Boiling Point<\/em>,<\/strong> a one-shot film whose actress Vinette Robinson won special mention in Karlovy Vary, while Italy is presented by the award-winning family drama Macaluso Sisters<\/em><\/strong>, a moving chronicle on transience and memory.<\/p>\n This year\u2019s side programs<\/u><\/strong>, which will be available for viewing during the festival on kinoeuropa.hr and croatian.film, were presented by Hrvoje Laurenta<\/strong>: \u201cThe upcoming edition of ZFF also brings several online programs, among which is the retrospective theme program Icebreakers<\/u><\/strong><\/a>, selected by filmologist Diana Nenadi\u0107 and featuring five films of East European female authors whose work opened up the Iron curtain. Among them are the most famous film by the mother of the Czech new wave V\u011bra Chytilov\u00e1<\/strong> and one of the greatest works of feminist cinematography, Daisies<\/em><\/strong>, and the first film by the great Polish director with a colorful oeuvre Agnieszka Holland<\/strong> Provincial Actors<\/em><\/strong>.\u201d<\/p>\n Aside from Icebreakers, ZFF\u2019s audience will also be able to see films online from the
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